第五トラディショナルno.29 Fiddle Music

 

本年も大変お世話になりました。

来年もどうぞ、どうぞよろしくお願いいたします。

渡邊恭一

 

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ここ2回続けてサックスの特集でしたが、

トラディショナルミュージックのもう一つの花形、

フィドルに今回は焦点をあてます。

 

 

iTunseをお使いの方は

「第五トラディショナル」とpodcast検索していただければご登録いただけます。

 

 

 

jamesmorrison

James or Jim Morrison (3 May 1891 – 1947), known as "The Professor", was a notable South Sligo-style Irish fiddler.

Morrison was born in 1891 near Riverstown, County Sligo at the townland of Drumfin. Morrison grew up in a community steeped in traditional Irish culture especially music and at the age of 17 he was employed by the Gaelic League to tutor the Connacht style of step dancing at the Gaelic League school in County Mayo

In 1915, at the age of 21, he emigrated to America and settled in New York. In 1918, Morrison won the fiddle competition at the New York Feis. Morrison become associated with other leading Irish musicians such as Michael Coleman, Paddy Killoran who were also from County Sligo…

(wikipedia)

 

”Black Berry Blossom”
(traditional)

 

 

fiddlinjohn-carson

Fiddlin’ John Carson (March 23, 1868 – December 11, 1949) was an American old time fiddler and an early-recorded country musician.

In early June 1923, Polk C. Brockman, an Atlanta furniture store owner, who had been instrumental in the distribution of records for Okeh, went to New York to work out a new business deal with Okeh Records. Later, in New York, he was asked if he knew of any artist in Atlanta that could justify a recording trip to Georgia. Brockman promised to return with an answer. A few days later, he was watching a movie followed by a silent newsreel at the Palace Theater in Times Square. The newsreel contained footage of Fiddlin’ John Carson from an old time fiddler’s contest in Virginia. Brockman wrote in his notebook: "Record Fiddlin’ John Carson".At his next meeting with Okeh Records Board, he persuaded Ralph Peer to go ahead and record Carson.

About June 14, 1923 (date is uncertain), Carson made his recording debut in an empty building on Nassau Street in Atlanta, cutting two sides, "The Little Old Log Cabin In The Lane" and "The Old Hen Cackled and the Rooster’s going to Crow." Peer didn’t like the singing style of Carson and described it "pluperfect awful" but he was persuaded by Brockman to press five hundred for him to distribute. The recording was immediately sold out from the stage of the next Fiddler’s convention on July 13, 1923.Peer, realizing Carson’s potential, immediately invited Carson to New York for another recording session.

(wikipedia)

 

“When The Saint Go Marchin’ In”

(traditional)

 

 

 

 

wallacecheeseread

Although considered a top-flight Cajun musician, Wallace Cheese Read was never really a professional musician perhaps out of fear that critics would make jokes about his name. Cajun fans might savor his small but superb discography as one relaxed section of the evening or one of a series of courses in a French meal: a little cheese, a little reading, a little Cheese Read, and so forth.


The Cajun identification with "home music," or the importance of creating music in a non-professional setting, was the essence of this performer. He liked playing his music at home better than doing some kind of gig and best of all were the lively parties with a few friends and a band set up in the corner. Cheese Read was known as a booming, powerful singer and a fiddler whose bow work was more accurate than the best of Robin Hood’s merry men. A mainstay of the Southwest Louisiana scene, he was a musician whose work was recorded with the sporadic randomness of a series of satellite photographs.

(all music.com)

 

“Colinda”

 

 

 

Muddy_Waters

McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy Waters, was an American blues musician, generally considered the "father of modern Chicago blues". He was a major inspiration for the British blues explosion in the 1960s[3] and is ranked No. 17 in Rolling Stone magazine’s list of the 100 Greatest Artists of All Time.
(wikipedia)

 

“Ramblin’ Kid Blues”

 

 

 

 

 

svennyhus

Sven Kristoffer Nyhus (born 21 May 1932 in Røros) is a Norwegian folk musician (fiddle, fiddle and viola), composer and former professor of folk music at the Academy of Music in Oslo.

He began playing the fiddle at age nine, and was active until 1952 that Grammy in his homeland. He started including Glåmos Grammy Stroke and transcribed notes for local folk. Then he moved to Oslo in 1956 and took the exam as an orchestral musician at the Music Conservatory. He was principal viola of the National Theatre Orchestra, The Norwegian National Opera Orchestra and the Radio Orchestra to crown orkesterkarrièren the Oslo Philharmonic from 1961 to 1971. In the orchestra, he was for several years alternating solo violist.

In 1969, his folk orchestra Sven Nyhus Quartet (later Quintet and Sextet) along with accordionist Tore Løvgreen. The two are still with the band that would otherwise have had a number of members attending. Sven’s daughter, Åshild Breie Nyhus, plays violin in the current edition of the sextet orchestra. The orchestra has released 12 albums and won two Grammy Awards. In addition, Sven Nyhus released a soloablum in 1977.

(no.wikipedia)

 

“Fanitullen" (Devil’s Tune)

 

 

 

次回は1/15(火)配信予定です!

バックナンバーはこちら

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新年1月よりライブしてまいります。どうぞ宜しくお願いします。

 

1/20(日)東京倶楽部目黒店

http://www.tokyo-club.com/meguro/about/

東京都品川区上大崎2-18-20 中銀目黒駅前マンション地下1階

03-6417-0166

19:30- (3stages)

3,150

渡邊恭一"Swingers”

渡邊恭一(ts,cl)

田窪寛之(pf)

吉原聡(gtr)

小林航太朗(bass)

田村陽介(drums)

Guest vocal! 出口優日

(http://yukadeguchi.blogspot.jp/)

 

 

1/26(土)小金城趾 りべるて2

http://liberte2.hp.infoseek.co.jp/

千葉県松戸市大金平3-177

047(344)9913

19:30~ Charge:-2,500

渡邊恭一トリオ

不肖渡邊恭一(ts,cl)

青木研(bj)

渡部拓実(b)

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